Verdict: A heartfelt fantasy adventure elevated by Fahadh Faasil and young Ssara Palekar, though uneven pacing and a stretched story keep it from fully delivering on its promise.
Pros:
Fahadh Faasil’s sincere and charming lead performance
Endearing chemistry between the lead pair and the child actor’s natural presence
Pleasant background score that supports the emotional moments
Cons:
Slow second half and uneven screenplay
Predictable plot that struggles to sustain interest over the long runtime
About Don’t Trouble The Trouble 2026
Detail
Information
Title
Don’t Trouble the Trouble
Directed by
Shashank Yeleti
Written by
Shashank Yeleti, Hamza Ali
Produced by
S. S. Karthikeya, Shobu Yarlagadda, Prasad Devineni
Don’t Trouble the Trouble marked Fahadh Faasil’s first outing as a solo lead in a Telugu film. Presented by S. S. Rajamouli and released theatrically on 2 October 2026, the bilingual fantasy comedy arrived with curiosity thanks to its unusual premise and the involvement of Arka Media Works. The film follows a street magician who finds himself tangled with a young girl who is not what she seems. Early audience discussions across X, BookMyShow and other platforms showed a clear split.
Many appreciated the central performances and the lighter, family-friendly tone, while others felt the story lost steam after a promising start. The story centres on Suri, a small-time con artist and street magician living by his wits in Hyderabad. Facing pressure from a local gangster to repay a large debt, he crosses paths with a young girl named Divya. She believes he is a real magician who can help reunite her with her parents.
What begins as a desperate plan for money quickly turns into an unexpected journey filled with chaos, small moments of wonder and growing attachment between the unlikely pair. Audience reactions on X and BookMyShow have been mixed but consistent on a few points. Viewers frequently praised Fahadh Faasil’s committed performance, noting his comic timing and ability to carry the film in Telugu.
Young Ssara Palekar also received warm feedback for her natural screen presence and the easy chemistry she shares with the lead. Several people highlighted Kaala Bhairava’s background score as a quiet strength that lifted the emotional stretches. Some described the first half as engaging with light comedy and a sense of fun, calling it a film that children and families might enjoy.
At the same time, common complaints centred on the second half. Many felt the pace slowed considerably, with scenes that felt stretched and a story that became predictable. Some called it a one-time watch that never fully builds the magic it promises. A portion of viewers on BookMyShow and social media labelled it average or below expectations despite the strong pedigree.
Overall sentiment sits in the middle appreciated for its heart and performances, but criticised for not holding attention across its nearly two-and-a-half-hour runtime. Families looking for a clean, gentle fantasy with emotional undercurrents and solid acting may find enough to enjoy, especially if they go in without high expectations.
Those seeking tight storytelling, consistent humour or a more inventive fantasy ride might feel the film falls short. The theatrical experience works best for those who want the big-screen feel of the visual and emotional moments, though waiting for a streaming release is a reasonable option if the mixed word of mouth gives pause.
Disclaimer: This review is based on publicly available audience reactions and discussions on X at the time of writing. Individual opinions may vary.
Kadir is a box office reporter and film analyst from Hojai, Assam, and the founder of Tenvow.com. Since 2015, he has been into box office reporting. With a focus on box office collections, OTT trends, and movie analysis, Kadir delivers accurate, data driven insights into the business of films.
