Behrupiyo, the Gujarati horror thriller released on 24 April 2026, is a decent watch that brings authentic folk roots to the big screen. It is not the scariest film you will see this year, but it holds your attention with its eerie atmosphere and strong cultural connect.
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The strongest point of the film is its deep rooting in Gujarati folklore and the chilling climax that actually works. The weakest point is the slightly long runtime and some dragging moments in the second half. It is suitable for family audiences above 13 years with some caution for younger kids because of scary sequences. Early public reaction has been mostly positive in Gujarat cities, and the film has a fair chance of doing steady business in single-screen theatres rather than becoming a big hit.
The trailer received good response for its mysterious folk vibe and promising scares. Advance booking was steady in places like Ahmedabad, Surat and Rajkot, though not blockbuster level. Pre-release buzz stayed mostly within Gujarati cinema circles, helped by the star power of Kinjal Rajpriya and Jayesh More. There is no franchise value here as it is an original story. The background music feels refreshing and adds to the mood. It faced very little competition from major releases this weekend, giving it a clear run in regional markets. Social media has seen steady hype from horror lovers sharing their reactions.
Behrupiyo Overview
| Details | Information |
|---|---|
| Title | Behrupiyo |
| Directed by | Raja Sanjay Choksi |
| Written by | Raja Sanjay Choksi, Kapil Sahetya |
| Produced by | Kaushik Patel, Hardik Patel |
| Actor | Jayesh More |
| Actress | Kinjal Rajpriya |
| Other Cast | Maulik Chauhan, Denisha Ghumra, Aasheema Vardaan, Deep Sheth, Aakash Prakash Ahuja |
| Cinematography | Suman Sahu |
| Edited by | Raja Sanjay Choksi |
| Music by | Atharva Sanjay Joshi (Additional Background Score: Rooshin Dalal & Kaizad Gherda) |
| Production Companies | Savnath Entertainment, RSC Films |
| Distributed by | Savnath Entertainment |
| Release Date | 24 April 2026 |
| Running Time | 2 hours 32 minutes |
| Country | India |
| Language | Gujarati |
| Film Industry | Gujarati |
| Genre | Horror, Thriller |
| Censor Rating | UA |
Behrupiyo Story Review (Spoiler-Free)
The story of Behrupiyo revolves around an ancient curse that started many years ago inside a royal household and brought doom to an entire village. In the present day, three friends visit a heritage property tied to that dark past and slowly wake up something that should have stayed buried.
What works well is the emotional core built around fear, friendship and the weight of old sins. The main conflict grows naturally from whispers, warnings and a growing sense of dread rather than sudden jumps. The first half is strong as it sets up the atmosphere and character journeys at a steady pace.
The second half tries to raise the tension but feels a little stretched at times. The interval block creates decent curiosity, and the climax brings an effective emotional payoff. The screenplay stays rooted in Gujarati culture, the dialogues feel natural, and the film offers enough freshness in its folklore approach even if some parts feel predictable.
Performance Review
Jayesh More handles his role with sincerity and brings the required screen presence to the lead part. He looks convincing in both emotional and tense moments, and his dialogue delivery adds weight to the story. Kinjal Rajpriya once again proves why she is one of the dependable faces in Gujarati cinema. Her expressions carry the fear and confusion beautifully, and she shares decent chemistry with the rest of the cast.
The supporting cast, including Maulik Chauhan and Denisha Ghumra, does a neat job and helps build the group dynamic. The villainous presence and the way the curse is shown through the actors make the horror feel personal. Overall, the performances stay honest and never cross into over-acting, which helps the film feel real even in its supernatural moments.
Public Review and Social Media Response
On X (formerly Twitter) and Instagram, reactions from Gujarat have been largely encouraging. Many users called the film a “solid desi horror” and praised the folklore touches and ending chills. YouTube public reviews from local channels highlight the atmospheric scares and good background music, though some noted the length as a drawback.
Family audiences in single-screen areas seem to have enjoyed the cultural connect, while youth and multiplex crowds appreciated the thriller elements. Mass-belt response has been warm with groups coming out and discussing the story after the show. Overseas Gujarati viewers have also shared positive feedback on social media. Word-of-mouth is building slowly but steadily in the right circles, which should help the film in the coming days.
Our Final Verdict
Behrupiyo is a film that people who enjoy rooted horror and Gujarati cinema should watch once. It works best for those who want something different from routine Bollywood thrillers and appreciate authentic folk stories.
Viewers looking for non-stop action or very scary jump scares may feel a little disappointed and can skip it. Theatre viewing is recommended for the big-screen impact on the eerie atmosphere, though it will also work decently on OTT later. Family viewing value is present with caution for younger children. Repeat watch value is moderate, but its cultural recall will stay with Gujarati audiences for some time. Commercially, it has decent fan appeal in its home market and should do respectable business there.
In the end, Behrupiyo is a sincere effort that proves Gujarati cinema is ready to explore horror with its own voice. It may not be perfect, but it leaves you with a few genuine chills and respect for its roots.
Star Rating
⭐ Rating: 3.5/5
This rating comes because the film succeeds in creating a strong atmosphere and believable characters. What worked are the folklore integration, refreshing music, and effective climax. What did not work fully are the pacing issues in the second half and a few predictable turns that could have been tighter.
Disclaimer
This review is based on the writer’s personal viewing experience, audience reactions collected from various platforms, and publicly available information available at the time of publication. All opinions expressed here are entirely personal and subjective. They are meant solely for informational and entertainment purposes. Viewer experiences may vary from person to person.
This review represents an independent and honest assessment. It does not intend to hurt the sentiments of any individual, community, or group. No part of this article is sponsored or influenced by the makers, producers, or distributors of the film.
